The Vampire Armand (The Vampire Chronicles #6)

The Vampire Armand (The Vampire Chronicles #6) Page 10

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IT TOOK us four nights to reach Kiev. Only in the early hours before dawn did we hunt. We made our graves in actual burial places, the dungeon vaults of old neglected castles and in the sepulchers beneath forlorn and ruined churches where the profane were wont now to stash their livestock and their hay.

There are tales I could tell of this journey, of those brave fortresses we roamed near morning, of those wild mountain villages where we found the evildoer in his rude den.

Naturally, Marius saw lessons in all this, teaching me how easy it was to find hiding places and approving the speed with which I moved through the dense forest, and had no fear of the scattered primitive settlements which we visited on account of my thirst. He praised me that I didn't shrink from the dark dusty nests of bones in which we lay down by day, reminding me that these burial places, having already been pillaged, were the least likely for men to trouble even in the light of the sun.

Our fancy Venetian clothes were soon streaked with dirt, but we were provided with thick fur-lined cloaks for the journey, and these covered all. Even in this Marius saw a lesson, that we must remember what fragile and meaningless protection our garments provide. Mortal men forget how to wear their garments lightly and that they are a mere covering for the body and no more. Vampires must never forget it, for we are far less dependent upon our raiment than men.

By the last morning before our arrival in Kiev, I knew the rocky northern woods only too well. The dread winter of the north was all around us. We had come upon one of the most intriguing of all my memories: the presence of snow.

"It no longer hurts me to hold it," I said, gathering the soft delicious cold snow in my hands and pressing it to my face. "It no longer chills me to see it, and indeed how beautiful it is, covering the poorest of towns and hovels with its blanket. Master, look, look how it throws back the light even of the weakest stars."

We were on the edge of the land that men call the Golden Horde- the southern steppes of Russia, which for two hundred years, since the conquest of Genghis Khan, had been too dangerous for the farmer, and often the death of the army or the knight.

Kiev Rus had once included this fertile and beautiful prairie, stretching far to the East, almost to Europe, as well as south of the city of Kiev, where I had been born.

"The final stretch will be nothing," my Master told me. "We make it tomorrow night so that you will be rested and fresh when you catch the first sight of home."

As we stood on a rocky crag looking out at the wild grass, flowing in the winter wind beneath us, for the first time in the nights since I'd become a vampire, I felt a terrible longing for the sun. I wanted to see this land by the light of the sun. I didn't dare confess it to my Master. After all, how many blessings can a being want?

On the final night, I awoke just after sunset. We had found a hiding place beneath the floor of a church in a village where no one lived now at all. The horrid Mongol hordes, which had destroyed my homeland over and over again, had long ago burnt this town to nothing, or so Marius had told me, and this church did not even possess a roof. There had been no one left here to pull the stones of the floor away for profit or building, and so we had gone down a forgotten stairway to lie with monks buried here some thousand years ago.

Rising from the grave, I saw high above a rectangle of sky where my Master had removed a marble paving block, an inscribed tombstone no doubt, for me to make my ascent. I propelled myself upwards. That is, I bent my knees and, using all my strength, shot upwards, as if I could fly, and passed through this opening to land on my feet.

Marius, who invariably rose before me, was sitting nearby. He immediately gave out the expected appreciative laugh.

"Have you been saving that little trick for such a moment?" he said.

I was dazed by the snow, as I looked around me. How afraid I was, merely looking at the frozen pines that had everywhere sprung up on the ruins of the village. I could scarce speak.

"No," I managed to say. "I didn't know I could do it. I don't know how high I can leap, or how much strength I have. You're pleased, however?"

"Yes, why shouldn't I be? I want you to be so strong that no one can ever hurt you."

"And who would, Master? We travel the world, but who even knows when we go and when we come?"

"There are others, Amadeo. And there are others here. I can hear them if I want to, but there is a good reason for not hearing them."

I understood. "You open your mind to hear them, and they know you are there?"

"Yes, clever one. Are you ready now to go home?"

I closed my eyes. I made the Sign of the Cross in our old way, touching the right shoulder before the left. I thought of my Father. We were in the wild fields and he stood high in his stirrups with his giant bow, the bow only he could bend, like unto the mythical Ulysses, shooting arrow after arrow at the raiders who thundered down on us, riding as if he were one of the Turks or Tatars himself, so great was his skill. Arrow after arrow, drawn out with a swift snap from the pouch on his back, went into the bow and was shot across the high blowing grass even as his horse galloped at full speed. His red beard was blowing in the fierce wind, and the sky was so blue, so richly blue that-.

I broke off this prayer and almost lost my balance. My Master held me.

"Pray, you'll be finished with all this very quickly," he said.

"Give me your kisses," I said, "give me your love, give me your arms as you always have, I need them. Give me your guidance. But give me your arms, yes. Let me rest my head against you. I need you, yes. Yes, I want it to be quick and done, and all its lessons in here, in my mind, to be taken back home."

He smiled. "Home is Venice now? You've made the decision so soon?"

"Yes, I know it even at this moment. What lies beyond is the birth land, and that's not always home. Shall we go?"

Gathering me in his arms, he took to the air. I shut my eyes, even forfeiting my last glimpse of the motionless stars. I seemed to sleep against him, dreamlessly and fearlessly.

Then he set me down on my feet.

At once I knew this great dark hill, and the leafless oak forest with its frozen black trunks and skeletal branches. I could see the gleaming strip of the Dnieper River far below. My heart scudded inside me. I looked about for the bleak towers of the high city, the city we called Vladimir's City, which was old Kiev.

Piles of rubble which had once been city walls were only yards from where I stood.

I led the way, easily climbing over them and wandering among the ruined churches, churches which had been of legendary splendor when Batu Khan had burnt the city in the year 1240.

I had grown up among this jungle of ancient churches and broken monasteries, often hurrying to hear Mass in our Cathedral of Santa Sofia, one of the few monuments which the Mongols had spared. In its day, it had been a spectacle of golden domes, dominating all those of the other churches, and was rumored to be more grand than its namesake in faraway Constantinople, being larger and packed with treasures.

What I had known was a stately remnant, a wounded shell.

I didn't want to enter the church now. It was enough to see it from the outside, because I knew now, from my happy years in Venice, just what the glory of this church had once been. I understood from the splendid Byzantine mosaics and paintings of San Marco, and from the old Byzantine church on the Venetian island of Torcello what glory had once been here for all to see. When I thought of the lively crowds of Venice, her students, scholars, lawyers, merchants, I could paint a dense vitality on this bleak and wasted scene.

The snow was deep and thick, and few Russians were out in it this frigid early evening. So we had it to ourselves, walking through it with ease, not having to pick our way as mortals would.

We came to a long stretch of ruined battlement, a shapeless guardrail now beneath the snow, and standing there, I looked down on the lower city, the city we called Podil, the only real city of Kiev that remained, the city where in a rough timber and clay house only a few yards from the river, I had grown up. I looked down on deep-pitched roofs, their thatch covered in cleansing snow, their chimneys smoking, and on narrow crooked snow-filled streets. A great grid of such houses and other buildings had long ago formed against the river and managed to survive fire after fire and even the worst Tatar raids.

It was a town made up of traders and merchants and craftsmen, all bound to the river and the treasures she brought from the Orient, and the money some would pay for the goods she took south into the European world.

My Father, the indomitable hunter, had traded bear skins which he himself had brought back singlehanded from the interior of the great forest which spread towards the north. Fox, martin, beaver, sheep, all these skins he had dealt in, so great was his strength and luck, that no man or woman of our household ever sold their handiwork or wanted for food. If we starved, and we had starved, it was because the winter ate the food, and the meat was gone, and there was nothing for my Father's gold to buy.

I caught the stench of Podil as I stood on the battlements of Vladimir's City. I caught the stench of rotting fish, and livestock, of soiled flesh, and river mud.

I pulled my fur cloak around me, blowing the snow off the fur when it came up to my lips, and I looked back up at the dark domes of the Cathedral against the sky.

"Let's walk on, let's go past the castle of the Voievoda," I said. "You see that wooden building, you would never call it a palace or a castle in fair Italy. That is a castle here."

Marius nodded. He made a little soothing gesture. I owed him no explanation of this alien place from which I'd come.

The Voievoda was our ruler, and in my time it had been Prince Michael of Lithuania. I didn't know who it would be now.

I surprised myself that I used the proper word for him. In my deathly dream vision, I had no consciousness of language, and the strange word for ruler, "voievoda," had never passed my lips. But I had seen him clearly then in his round black far hat, his dark thick velvet tunic and his felt boots.

I led the way.

We approached the squat building, which seemed more a fortress than anything else, built as it was out of such enormous logs. Its walls had a graceful slope as they ascended; its many towers had four-tiered roofs. I could see its central roof, a great five-sided wooden dome of sorts, in stark outline against the starry sky. Torches blazed at its huge doorways and along the outer walls of its enclosures. All its windows were sealed against the winter and the night.

Time was when I thought it was the grandest building yet standing in Christendom.

It was no task at all to dazzle the guards with a few swift soft words and darting movements, to pass them and to enter the castle itself.

We found our way in by means of a rear storage room, and quietly made our way to a vantage point where we could spy upon the small crowd of fur-trimmed nobles or lords who clustered in the Great Room, beneath the bare beams of a wooden ceiling around the roaring fire.

On a great sprawling mass of brilliant Turkey rugs they sat, in huge Russian chairs whose geometrical carvings were no mystery to my eye. They drank from gold goblets, the wine being provided by two leather-clad serving boys, and their long belted robes were the colors of blue and red and gold as bright as the many designs in the rugs.

European tapestries covered the rudely stuccoed walls. Same old scenes of the hunt in the never-ending woodlands of France or England or Tuscany. On a long board set with blazing candles sat a simple meal of joints and fowl.

So cold was the room that these lords wore their Russian far hats.

How exotic it had looked to me in boyhood when I'd been brought with my Father to stand before Prince Michael, who was eternally grateful for my Father's feats of bravery in bringing down delicious game in the wild fields, or delivering bundles of valuables to the allies of Prince Michael in the Lithuanian forts to the west.

But these were Europeans. I had never respected them.

My Father had taught me too well that they were but lackeys of the Khan, paying for the right to rule us.

"No one goes up against those thieves," my Father had said. "So let them sing their songs of honor and valor. It means nothing. You listen to the songs that I sing."

And my Father could sing some songs.

For all his stamina in the saddle, for all his dexterity with the bow and arrow, and his blunt brute force with the broadsword, he had the ability with his long fingers to pluck out music on the strings of an old harp and sing with cleverness the narrative songs of the ancient times when Kiev had been a great capital, her churches rivaling those of Byzantium, her riches the wonder of all the world.

Within a moment, I was ready to go. I took one last memorial glance at these men, huddled as they were over their golden wine cups, their big fur-trimmed boots resting on fancy Turkish foot rests, their shoulders hunkered, their shadows crowding the walls. And then, without their ever having known we were there, we slipped away.

It was time now to go to the other hilltop city, the Pechersk, under which lay the many catacombs of the Monastery of the Caves.

I trembled at the mere thought of it. It seemed the mouth of the Monastery would swallow me and I should burrow through the moist Mother Earth, forever seeking the light of the stars, never to find my way out.

But I went there, trudging through the mud and snow, and again with a vampire's silky ease, I gained access, this time leading the way, snapping the locks silently with my superior strength and lifting the doors as I opened them so no weight would fall upon their creaky hinges, and dashing swiftly across rooms so that mortal eyes perceived no more than cold shadows, if they perceived anything at all.

The air was warm and motionless here, a blessing, but memory told me it had not been so terribly warm for a mortal boy. In the Scriptorium, by the smoky light of cheap oil, several brothers were bent over their slanted desks, working on their copying, as if the printing press were of no concern to them, and surely it was not.

I could see the texts on which they worked and I knew them-the Paterikon of the Kievan Caves Monastery, with its marvelous tales of the Monastery's founders and its many colorful saints.

In this room, laboring over that text, I had learned fully to read and write. I crept now along the wall until my eyes could fall on the page which one monk copied, his left hand steadying the crumbling model from which he worked.

I knew this part of the Paterikon by heart. It was the Tale of Isaac. Demons had fooled Isaac; they had come to him as beautiful angels, and even pretending to be Christ Himself. When Isaac had fallen for their tricks, they had danced with glee and taunted him. But after much meditation and penance, Isaac stood up to these demons.

The monk had just dipped his pen and he wrote now the words with which Isaac spoke:

When you deceived me in the form of Jesus Christ and the angels, you were unworthy of that rank. But now you appear in your true colors-

I looked away. I didn't read the rest. Cleaving there so well to the wall I might have gone on unseen forever. Slowly I looked at the other pages which the monk had copied, which were being let to dry. I found an earlier passage which I'd never forgotten, describing Isaac as he lay, withdrawn from all the world, motionless, and without food for two years:

For Isaac was weakened in mind and body and could not turn over on his side, stand up, or sit down; he just lay there on one side, and often worms collected under his thighs from his excrement and urine.

The demons had driven Isaac to this, with their deception. Such temptations, such visions, such confusion and such penance I myself had hoped to experience for the rest of my life when I entered here as a child.

I listened to the pen scratch on the paper. I withdrew, unseen, as if I'd never come.

I looked back at my scholarly brethren.

All were emaciated, dressed in cheap black wool, reeking of old sweat and dirt, and their heads were all but shaved. Their long beards were thin and uncombed.

I thought I knew one of them, had loved him somewhat even, but this seemed remote and not worth considering anymore.

To Marius, who stood beside me as faithfully as a shadow, I confided that I could not have endured it, but we both knew this was a lie. In all likelihood I would have endured it, and I would have died without ever knowing any other world.

I moved into the first of the long tunnels where the monks were buried, and, closing my eyes and cleaving to the mud wall, I listened for the dreams and prayers of those who lay entombed alive for the love of God.

It was nothing but what I could imagine, and exactly as I recalled. I heard the familiar, no longer mysterious words whispered in the Church Slavonic. I saw the prescribed images. I felt the sputtering flame of true devotion and true mysticism, kindled from the weak fire of lives of utter denial.

I stood with my head bowed. I let my temple rest against the mud. I wished to find the boy, so pure of soul, who had opened these cells to bring the hermits just enough food and drink to keep them alive. But I couldn't find the boy. I couldn't. And I felt only a raging pity for him that he had ever suffered here, thin and miserable, and desperate, and ignorant, oh, so terribly ignorant, having but one sensuous joy in life and that was to see the colors of the ikon catch fire.

I gasped. I turned my head and fell stupidly into Marius's arms.

"Don't cry, Amadeo," he said tenderly in my ear.

He brushed my hair from my eyes, and with his soft thumb he even wiped away my tears.

"Tell it all farewell now, son," he said.

I nodded.

In a twinkling we stood outside. I didn't speak to him. He followed me. I headed down the slope towards the waterfront city.

The smell of the river grew stronger, the stench of humans grew stronger, and finally I came to the house that I knew had been my own. What madness this seemed suddenly! What was I seeking? To measure all this by new standards? To confirm for myself that as a mortal child I had never had the slightest chance?

Dear God, there was no justification for what I was, an impious blood drinker, feeding off the luxurious stews of the wicked Venetian world, I knew it. Was this all a vain exercise in self-justification? No, something else pulled me towards the long rectangular house, like so many others, its thick clay walls divided by rough timbers, its four-tiered roof dripping with icicles, this large and crude house that was my home.

As soon as we reached it, I crept around the sides. The slush of the snow had here turned to water, and indeed, the water of the river leaked down the street and into everywhere as it had when I was a child. The water leaked into my fine-stitched Venetian boots. But it could not paralyze my feet as it had once done, because I drew my strength now from gods unknown here, and creatures for whom these filthy peasants, of which I had been one, had no name.

I lay my head against the rough wall, just as I had done in the Monastery, cleaving to the mortar as if the solidity would protect me and transmit to me all that I wanted to know. I could see through a tiny hole in the broken clumps of clay that were forever crumbling, and I beheld in the familiar blaze of candles, and the brighter light of lamps, a family gathered around the warmth of the large brick stove.

I knew them all, these people, though some of their names were gone from my mind. I knew that they were kindred, and I knew the atmosphere that they shared.

But I had to see beyond this little gathering. I had to know if these people were well. I had to know if after that fateful day, when I'd been kidnapped, and my Father no doubt murdered in the wild lands, they had managed to go on with their usual vigor. I had to know, perhaps, what they prayed when they thought of Andrei, the boy with the gift to make ikons so perfectly, ikons not made by human hands.

I heard the harp inside, I heard singing. The voice was that of one of my uncles, one so young he might have been my brother. His name was Borys, and he had since early childhood been good with singing, memorizing easily the old dumys, or sagas, of the knights and heroes, and it was one of them, very rhythmical and tragic, which he was singing now. The harp was small and old, my Father's harp, and Borys strummed the strings in time with his phrases as he all but spoke the story of a lusty and fatal battle for ancient and great Kiev.

I heard the familiar cadences that had been passed down by our people from singer to singer for hundreds of years. I put my fingers up and broke loose a bit of mortar. I saw through the tiny opening the Ikon corner-directly opposite the family gathering around the shimmering fire in the open stove.

Ah, what a spectacle! Amid dozens of little candle stubs and earthen lamps full of burning fat, there stood propped some twenty or more ikons, some very old and darkened in their gold frames, and some radiant, as though only yesterday they'd come alive through the power of God. There were painted eggs stuffed amongst the pictures, eggs beautifully decorated and colored with patterns I could well recall, though even with my vampire eyes I was too far away to see them now. Many times I had watched the women decorating these sacred eggs for Easter, applying the hot melting wax to them with their wooden pens to mark the ribbons or the stars or the crosses or the lines which meant the ram's horns, or the symbol which meant the butterfly or the stork. Once the wax had been applied, the egg would be dipped in cold dye of amazingly deep color. It had seemed there was an endless variety, and endless possibility for meaning, in these simple patterns and signs.

These fragile and beautiful eggs were kept for curing the sick, or for protection against the storm. I had hidden such eggs in an orchard for good luck with the coming harvest. I had placed one once over the door of the house in which my sister went to live as a young bride.

There was a beautiful story about these decorated eggs, that as long as the custom was followed, as long as such eggs existed, then the world would be safe from the monster of Evil who wanted always to come and devour all that was.

It was sweet to see these eggs placed there in the proud corner of the Ikons, as always, among the Holy Faces. That I had forgotten this custom seemed a shame and a warning of tragedy to come.

But the Holy Faces caught me suddenly and I forgot all else. I saw the Face of Christ blazing in the firelight, my brilliant scowling Christ, as I had so often painted Him. I had done so many of these pictures, and yet how like the one lost that day in the high grasses of the wild lands was this very one!

But that was impossible. How could anyone have recovered the ikon I had dropped when the raiders took me prisoner? No, it must surely be another, for as I said, I had done so many before my parents had ever gotten up the courage to take me to the monks. Why, all through this town were my ikons. My Father had even brought them to Prince Michael as proud gifts, and it was the Prince who had said that the monks must see my skill.

How stern Our Lord looked now compared to the recollection of the tender musing Christs of Fra Angelico or the noble sorrowful Lord of Bellini. And yet He was warm with my love! He was the Christ in our style, the old style, loving in severe lines, loving in somber color, loving in the manner of my land. And He was warm with the love that I believed He gave to me!

A sickness rose up in me. I felt my Master's hands on my shoulders. He didn't pull me back as I feared. He merely held me and put his cheek against my hair.

I was about to go. It was enough, was it now? But the music broke off. A woman there, my Mother, was she? No, younger, my sister Anya, grown into a woman, talked wearily of how my Father could sing again if somehow they could hide all the liquor from him and make him come back to himself.

My Uncle Borys sneered. Ivan was hopeless, said Borys. Ivan would never see another sober night or day, and would soon die. Ivan was poisoned with liquor, both with the fine spirits he got from the traders by selling off what he stole from this very house, and from the peasant brew he got from those he battered and bullied, still being the terror of the town.

I bristled all over. Ivan, my Father, alive? Ivan, alive to die again in such dishonor? Ivan not slain in the wild fields?

But in their thick skulls, the thoughts of him and the words of him stopped together. My uncle sang another song, a dancing song. No one would dance in this house, where all were tired from their labor, and the women half-blind as they continued to mend the clothes that lay piled in their laps. But the music cheered them and one of them, a boy younger than I had been when I died, yes, my little brother, whispered a soft prayer for my Father, that my Father would not freeze to death tonight, as he had almost done so many times, falling down drunk as he did in the snow.

"Please bring him home," came the little boy's whisper.

Then behind me, I heard Marius say, seeking to put it in order and to calm me:

"Yes, it seems it is true, beyond doubt. Your Father is alive."

Before he could caution me, I went around and opened the door. It was a fierce thing to do, a reckless thing to do, and I ought to have asked Marius's permission, but I was, as I've told you, an unruly pupil. I had to do this.

The wind gusted through the house. The huddled figures shivered and pushed their thick furs up around their shoulders. The fire deep in the mouth of the brick stove flared beautifully.

I knew that I should remove my hat, which in this case was my hood, and that I should face the Ikon corner and cross myself, but I couldn't do this.

In fact, to conceal myself, I pulled my hood up over my head as I shut the door. I stood alone against it. I held the fur cloak up against my mouth, so that nothing was visible of my face except my eyes, and perhaps a shock of reddish hair.

"Why has the drink gotten Ivan?" I whispered, the old Russian tongue coming back to me. "Ivan was the strongest man in this city. Where is he now?"

They were wary and angry at my intrusion. The fire in the stove crackled and danced from its feast of fresh air. The Ikon corner seemed a group of perfect radiant flames unto itself, with its brilliant images and random candles, another fire of a different and eternal sort. The Face of Christ was clear to me in the fluttering light, the eyes seeming to fix me as I stood against the door.

My uncle rose and shoved the harp into the arms of a younger boy I didn't know. I saw in the shadows the children sitting up in their heavily draped beds. I saw their shining eyes looking at me in the dark. The others in the firelight clumped together and faced me.

I saw my Mother, wizened and sad as if centuries had passed since I left her, a veritable crone in the corner, clinging to the rug that covered her lap. I studied her, trying to fathom the cause of her decay. Toothless, decrepit, her knuckles big and chafed and shiny from work, perhaps she was merely a woman being worked too rapidly towards her grave.

A great collection of thoughts and words struck me, as if I were being pelted with blows. Angel, devil, night visitor, terror from the dark, what are you? I saw hands raised, hastily making the Sign of the Cross. But the thoughts came clear in answer to my query.

Who does not know that Ivan the Hunter had become Ivan the Penitent, Ivan the Drunkard, Ivan the Mad, on account of the day in the wild lands when he couldn't stop the Tatars from kidnapping his beloved son, Andrei?

I shut my eyes. It was worse than death what had happened to him! And I had never so much as wondered, never so much as dared to think of him alive, or cared enough to hope that he was, or thought what his fate might be had he lived? All over Venice were the shops in which I might have penned a letter to him, a letter that the great Venetian traders could have carried to some port where it might have been delivered over the famous post roads of the Khan.

I knew all this. Selfish little Andrei knew all this, the details that might have sealed the past for him neatly so that he could have forgotten it. I might have written:

Family, I live and am happy, though I can never come home. Take this money I send to you for my brothers and sisters and my Mother-.

But then I hadn't really ever known. The past had been misery and chaos.

Whenever the most trivial picture had become vivid, then torment had reigned.

My uncle stood before me. He was as big as my Father, and was well dressed in a belted leather tunic and felt boots. He looked down at me calmly but severely.

"Who are you that comes into our house in this manner?" he asked. "What is this Prince that stands before us? You carry a message for us? Then speak, and we will forgive you that you broke the lock on our door."

I drew in my breath. I had no more questions. I knew that I could find Ivan the Drunkard. That he was in the tavern with the fishermen and the fur traders, for that was the only enclosed place he'd ever loved other than his home.

With my left hand, I reached over and found the purse that I always carried, tied, as it should be, to my belt. I ripped it loose, and I handed it to this man. He merely looked at it. Then he drew himself up, offended, and he stepped back.

He seemed then to become part of a deliberate picture with the house. I saw the house. I saw the hand-carved furniture, the pride of the family which had done it, the hand-carved wooden crosses and candlesticks which held the many candles. I saw the painted symbols decorating the wood frames of the windows, and the shelves on which fine homemade pots, kettles and bowls were displayed.

I saw them all in their pride, then, the entire family, the women with the embroidery, as well as those with mending, and I remembered with a lulling comfort the stability and the warmth of their daily life.

Yet it was sad, oh, woefully sad, compared to the world I knew!

I stepped forward and I held out the purse again to him, and I said in a muffled voice, still veiling my face:

"I beg you to take this as a kindness to me and that I might save my soul. It's from your nephew, Andrei. He is far, far away in the land to which the slave traders took him, and he will never come home. But he is well and must share some of what he has with his family. He bids me to tell him which of you lives and which of you is dead. If I do not give you this money, and if you don't take it, I will be damned to Hell."

There came no response from them verbally. But I had what I wanted from their minds. I had all of it. Yes, Ivan was alive, and now I, this strange man, was saying that Andrei lived too. Ivan mourned for a son who not only lived but prospered. Life is a tragedy, one way or another. What is certain is that you die.

"I beg you," I said.

My uncle took the proffered purse but with misgivings. It was full of gold ducats, which would buy anywhere.

I let my cloak drop and I pulled off my left glove, and then the rings that covered every finger of my left hand. Opal, onyx, amethyst, topaz, turquoise. I moved past the man and the boys, to the far side of the fire, and laid these respectfully in the lap of the old woman who had been my Mother as she looked up.

I could see that, in a moment, she would know who I was. I covered my face again, but with my left hand, I took my dagger from my belt. It was only a short Misericorde, that little dagger which a warrior takes into battle to dispatch his victims if they are too far gone for salvation and yet not dead. It was a decorative thing, an ornament more than a weapon, and its gold-plated scabbard was thickly lined with perfect pearls.

"For you," I said. "For Andrei's Mother, who always loved her necklace of river pearls. Take this for Andrei's soul." I laid the dagger at my Mother's feet.

And then I made a deep, deep bow with my head almost touching the floor, and I went out, without looking back, closing the door behind me, and hovering near, to hear them as they jumped up and crowded about to see the rings and the dagger, and some to see to the lock.

For a moment, I was weak with emotion. But nothing was going to stop me from what I meant to do. I didn't turn to Marius, because it would have been craven to ask his support in this, or assent to it. I went on down the muddy snowy street, through the sludge, towards the tavern nearest to the river, where I thought my Father might be.

I had rarely entered this place as a child, and then only to summon my Father home. I had no real memory of it, except as a place where foreign people drank and cursed.

It was a long building, made of the same rude unfinished logs as my house, with the same mud for mortar, and the same inevitable seams and cracks to let in the dreadful cold. Its roof was very high, with some six tiers to shed the weight of the snow, and its eaves too dripped with icicles, as had those of my house.

It marveled me that men could live like this, that the cold itself did not push them to make something more permanent and more sheltering, but it had always been the way of this place, it seemed to me, of the poor and the sick and overburdened and the hungry, that the brutal winter took too much from them, and that the short spring and summer gave them too little, and that resignation became their greatest virtue in the end.

But I might have been wrong then about all of it, and I might be wrong now. What is important is this-it was a place of hopelessness, and though it was not ugly, for wood and mud and snow and sadness are not ugly, it was a place without beauty except for the ikons, and perhaps for the distant outline of the graceful domes of Santa Sofia, high on the hill, against the star-studded sky. And that was not enough.

When I entered the tavern, I counted some twenty men at a glance, all of them drinking and talking to one another with a conviviality that surprised me, given the Spartan nature of this place, which was no more than a shelter against the night which kept them safely ranged round the big fire. There were no ikons here to comfort them. But some of them were singing, and there was the inevitable harp player strumming his little stringed instrument, and another blowing on a small pipe.

There were many tables, some covered with linen, and others bare at which these fellows gathered, and some of the men were foreigners, as I had recalled. Three were Italian, I heard this instantly, and figured them to be Genoese. There were more foreigners indeed than I had expected. But these were men drawn by the trade of the river, and perhaps Kiev did not do so poorly just now.

There were plenty of kegs of beer and wine behind the counter, where the bartender sold his stock by the cup. I saw too many bottles of Italian wine, quite expensive no doubt, and crates of Spanish sack.

Lest I attract notice, I moved forward and far off to the left, into the depth of the shadows, where perhaps a European traveler clad in rich fur might not be noticed, for, after all, fine fur was one thing they did indeed seem to have.

These people were much too drunk to care who I was. The bartender tried to get excited about the idea of a new customer, but then went back to snoozing on the palm of his upturned hand. The music continued, another one of the dumy, and this one much less cheerful than the one my uncle had been singing at home, because I think the musician was very tired.

I saw my Father.

He lay on his back, full length, on a broad crude greasy bench, dressed in his leather jerkin and with his biggest heaviest fur cloak folded neatly over him, as though the others had done the honors with it after he had passed out. This was bearskin, his cloak, which marked him as a pretty rich man.

He snored in his drunken sleep, and the fumes of the drink rose from him, and he didn't stir when I knelt right beside him and looked down into his face.

His cheeks though thinner were still rosy, but there were hollows beneath the bones, and there were streaks of gray, most prominent in his mustache and long beard. It seemed to me that some of the hair of his temples was gone, and that his fine smooth brow was steeper, but this may have been an illusion. The flesh all around his eyes was tender-looking and dark. His hands, clutched together beneath the cloak, were not visible to me, but I could see that he was still strong, of powerful build, and his love of drink had not destroyed him yet.

I had a disturbing sense of his vitality suddenly; I could smell the blood of him and the life of him, as though of a possible victim stumbling across my path. I put all this away from my mind and stared at him, loving him and thinking only that I was so glad that he was alive! He had come out of the wild grasses. He had escaped that party of raiders, who had seemed then the very heralds of death itself.

I pulled up a stool so that I might sit quietly beside my Father, studying his face.

I had not put on my left glove.

I laid my cold hand now on his forehead, lightly, not wanting to take liberties, and slowly he opened his eyes. They were murky yet still beautifully bright, despite the broken blood vessels and the wetness, and he looked at me softly and wordlessly for a while, as if he had no cause to move, as if I were a vision near to his dreams.

I felt the hood fall back from my head and I did nothing to stop it. I couldn't see what he saw, but I knew what it was-his son, with a cleanshaven face, such as his son had had when this man knew him, and long loose auburn hair in snow-dusted waves.

Beyond, their bodies mere bulky outlines against the huge blaze of the fire, the others sang or talked. And the wine flowed.

Nothing came between me and this moment, between me and this man who had tried hard to bring down the Tatars, who had sent one arrow after another sailing at his enemies, even as their arrows rained down upon him in vain.

"They never wounded you," I whispered. "I love you and only now do I know how strong you were." Was my voice even audible?

He blinked as he looked at me, and then I saw his tongue roll out along his lips. His lips were bright, like coral, shining through the heavy red fringe of mustache and beard.

"They wounded me," he said in a low voice, small but not weak. "They got me, twice they got me, in the shoulder and in the arm. But they didn't kill me, and they didn't let go of Andrei. I fell off my horse. I got up. They never got me in the legs. I ran after them. I ran and ran and I kept shooting. I had a cursed arrow sticking right out of my right shoulder here."

His hand appeared from beneath the fur and he placed it up on the dark curve of his right shoulder.

"I kept shooting. I didn't even feel it. I saw them ride away. They took him. I don't even know if he was alive. I don't know. Would they have bothered to take him if they had shot him? There were arrows everywhere. The sky rained arrows! There must have been fifty of them. They killed every other man! I told the others, You have to keep shooting, don't stop even for an instant, don't cower, shoot and shoot and shoot, and when you have no more arrows, bring up your sword and go for them, ride straight into them, get down, get down close to your horse's head and ride into them. Well, maybe they did. I don't know."

He lowered his lids. He glanced around. He wanted to get up, and then he looked at me.

"Give me something to drink. Buy me something decent. The man has Spanish sack. Get me some of that, a bottle of sack. Hell, in the old days, I laid in wait for the traders out there in the river, and I never had to buy anything from any man. Get me a bottle of sack. I can see you're rich."

"Do you know who I am?" I asked.

He looked at me in plain confusion. This hadn't even occurred to him, this question.

"You come from the castle. You speak with the accent of the Lithuanians. I don't care who you are. Buy me some wine."

"With the accent of the Lithuanians?" I asked softly. "What a dreadful thing. I think it's the accent of a Venetian, and I'm ashamed."

"Venetian? Well, don't be. God knows they tried to save Constantinople, they tried. Everything's gone to Hell. The world will end in flame. Get me some sack before it ends, all right?"

I stood up. Did I have some more money? I was puzzling over it when the dark silent figure of my Master loomed over me and he handed me the bottle of Spanish sack, uncorked and ready for my Father to drink.

I sighed. The smell of it meant nothing to me now, but I knew that it was fine good stuff, and besides it was what he wanted.

He had meantime sat up on the bench, staring straight at the bottle as it hung from my hand. He reached out for it, and took it and drank it as thirstily as I drink blood.

"Take a good look at me," I said.

"It's too dark in here, idiot," he said. "How can I take a good look at anything? Hmmm, but this is good. Thank you."

Suddenly, he paused with the bottle just beneath his lips. It was a strange thing the way in which he paused. It was as if he were in the forest, and he'd just sensed a bear coming up on him, or some other lethal beast. He froze, as it were, with the bottle in hand, and only his eyes moved as he looked up at me.

"Andrei," he whispered.

"I'm alive, Father," I said gently. "They didn't kill me. They took me for booty and sold me for profit. And I was taken by ship south and north again and up to the city of Venice, and that is where I live now."

His eyes were calm. Indeed, a beautiful serenity settled over him. He was far too drunk for his reason to revolt or for cheap surprise to delight him. On the contrary, the truth stole in and over him in a wave, subduing him, and he understood all of its ramifications, that I had not suffered, that I was rich, I was well.

"I was lost, Sir," I said in the same gentle whisper, which surely was only audible to him. "I was lost, yes, but found by another, a kindly man, and was restored, and have never suffered since. I've journeyed a long time to tell you this, Father. I never knew you were alive. I never dreamed. I mean, I thought you'd died that day when all the world died for me. And now I'm come here to tell you that you must never, never grieve for me."

"Andrei," he whispered, but there was no change in his face. There was only the sedate wonder. He sat still, both hands on the bottle which he had lowered to his lap, his huge shoulders very straight, and his flowing red and gray hair as long as I'd ever seen it, melting into the far of his cloak.

He was a beautiful, beautiful man. I needed a monster's eyes to know it. I needed a demon's vision to see the strength in his eyes coupled with the power in his giant frame. Only the bloodshot eyes gave him away in his weakness.

"Forget me now, Father," I said. "Forget me, as if the monks had sent me away. But remember this, on account of you, I shall never be buried in the muddy graves of the Monastery. No, other things may befall me. But that, I won't suffer. Because of you, that you wouldn't have it, that you came that day and demanded I ride out with you, that I be your son."

I turned to go. He shot forward, clasping the bottle by the neck in his left hand and clamping his powerful right hand over my wrist. He pulled me down to him, as if I were a mere mortal, with his old strength and he pressed his lips against my bowed head.

Oh, God, don't let him know! Don't let him sense any change in me! I was desperate. I closed my eyes.

But I was young, and not so hard and cold as my Master, no, not even by half or a half of that half. And he felt only the softness of my hair, and perhaps a cold icy softness, redolent of winter, to my skin.

"Andrei, my angel child, my gifted and golden son!"

I turned around and clasped him firmly with my left arm. I kissed him all over his head in a way I would never, never have done as a child. I held him to my heart.

"Father, don't drink anymore," I said in his ear. "Get up and be the hunter again. Be what you are, Father."

"Andrei, no one will ever believe me."

"And who are they to say that to you if you are yourself again, man? "I asked.

We looked into each other's eyes. I kept my lips sealed that he should never, never see the sharp teeth in my mouth that the vampiric blood had given me, the tiny evil vampire's teeth as a man as keen as himself, the natural hunter, might very definitely see.

But he was looking for no such disqualification here. He wanted only love, and love we gave one another.

"I have to go, I have no choice," I said. "I stole this time to come to you. Father, tell my Mother that it was I who came to the house earlier, and that it was I who gave her the rings and gave your brother the purse."

I drew back. I sat down on the bench beside him, for he had placed his feet on the floor. I pulled off my right glove and I looked at the seven or eight rings I wore, all of them made of gold or silver and rich with jewels, and then I slipped them off one by one, over his loud groan of protest, and I deposited the handful of them into his hand. How soft and hot was his hand, how flushed and alive.

"You take them because I have a world of them. And I will write to you and send you more, more so that you will never need to do anything but what you want to do-ride and hunt, and tell the tales of old times by the fire. Buy a fine harp with this, buy books if you will for the little ones, buy what you will."

"I don't want this; I want you, my son."

"Yes, and I want you, my Father, but this little power is all we may have."

I took his head in both my hands, displaying my strength, perhaps unwisely, but making him stay still while I gave him my kisses, and then with one long warm embrace, I rose to go.

I was out of the room so fast, he couldn't have seen anything but the door swinging shut.

The snow was coming down. I saw my Master several yards away, and I went to meet him and together we started up the hill. I didn't want for my Father to come out. I wanted to get away as fast as I could.

I was about to ask that we take to vampire speed and get clear of Kiev when I saw that a figure was hurrying towards us. It was a small woman, her long heavy furs trailing in the wet snow. She had something bright in her arms.

I stood fixed, my Master waiting on me. It was my Mother who had come to see me. It was my Alother who was making her way to the tavern, and in her arms, facing me, was an ikon of the scowling Christ, the one I looked at so long through the chink in the wall of the house.

I drew in my breath. She lifted the ikon by either side and she presented it to me.

"Andrei," she whispered.

"Mother," I said. "Keep it for the little ones, please." I embraced her and kissed her. How much older, how miserably older she seemed. But childbearing had done that to her, pulling the strength out of her, if only for babies to be buried in small plots in the ground. I thought of how many babies she had lost during my youth, and how many were still counted before I was born. She had called them her angels, her little babies, not big enough to live.

"Keep it," I said to her. "Keep it for the family here."

"All right, Andrei," she said. She looked at me with pale, suffering eyes. I could see that she was dying. I understood suddenly that it wasn't mere age that worked on her, nor the hardship of children. She was diseased from within, and would soon truly die. I felt such a terror, looking at her, such a terror for the whole mortal world. It was just a tiresome, common and inevitable disease.

"Goodbye, darling angel," I said.

"And goodbye to you, my darling angel," she answered. "My heart and soul are happy that you are a proud Prince. But show me, do you make the Sign of the Cross in the right way?"

How desperate she sounded. She meant these words. She meant simply, Had I gotten all this apparent wealth by converting to the church of the West? That is what she meant.

"Mother, you put a simple test to me." I made the Sign of the Cross for her, in our way, the Eastern Way, from right shoulder to left, and I smiled.

She nodded. Then she took something carefully from inside her heavy wool shift coat and she gave it to me, only releasing it when I had made a cradle for it with my hand. It was a dark ruby-red painted Easter egg.

Such a perfect and exquisitely decorated egg. It was banded with long lengthwise ribbons of yellow, and in a center created by them was painted a perfect rose or eight-pointed star.

I looked down at it and then I nodded to her.

I took out a handkerchief of fine Flemish linen and wrapped the egg in this, padding it over and over, and I slipped the little burden faithfully into the folds of my tunic beneath my jacket and cloak.

I bent over and kissed her again on her soft dry cheek. "Mother," I said, "the Joy of All Sorrows, that is what you are to me!"

"My sweet Andrei," she answered. "Go with God if you must go."

She looked at the ikon. She wanted me to see it. She turned the ikon around so that I could look at the gleaming golden Face of God, as waxen and fine as the day I'd painted it for her. Only I hadn't painted it for her. No, it was the very ikon which I had taken that day on our march into the wild lands.

Oh, what a marvel, that my Father had brought it back with him, all the way from the scene of such loss. And yet why not? Why not would such a man as he have done such a thing?

The snow fell onto the painted ikon. It fell on the stern Face of Our Savior, which had come ablaze under my racing brush as if by magic, a face which with its stern and smooth lips and slightly furrowed brow meant love. Christ, my Lord, could look even more stern peering out from the mosaics of San Marco. Christ, my Lord, could look as stern in many an old painting. But Christ, my Lord, in any manner and in any style, was full of unstinting love.

The snow came in flurries and seemed to melt when it touched His Face.

I feared for it, this fragile panel of wood, and this glistering lacquered image, meant to shine for all time. But she thought of this too, and she quickly shielded the ikon from the wetness of the melting snow with her cloak.

I never saw it again.

But is there anyone who needs now to ask me what an ikon means to me? Is there anyone who needs now to know why, when I saw the Face of Christ before me on the Veil of Veronica, when Dora held it high, this Veil, brought back from Jerusalem and the hour of Christ's passion, by Lestat himself, through Hell and into the world, that I fell down on my knees, and cried, "It is the Lord"?