The Brutal Telling (Chief Inspector Armand Gamache #5)
The Brutal Telling (Chief Inspector Armand Gamache #5) Page 159
The Brutal Telling (Chief Inspector Armand Gamache #5) Page 159
“Because Olivier realized the body wasn’t the most damning evidence against him. The cabin was. Years of evidence, of fingerprints, of hairs, of food. He couldn’t hope to clean it all up, at least not right away. But if our investigation focused on Marc Gilbert and the Hadley house he might stop the progress of the paths. If the Gilberts were ruined there was no need of horse trails.”
Gamache’s voice was calm. No sign of the impatience Myrna knew it could hold. This was at least the tenth time she’d heard the Chief Inspector explain it to Gabri, and still Gabri didn’t believe it. And even now Gabri was shaking his head.
“I’m sorry,” said Gamache, and clearly meant it. “There was no other conclusion.”
“Olivier isn’t a murderer.”
“I agree. But he did kill. It was manslaughter. Unintentional. Can you really tell me you believe he’s not capable of killing out of rage? He’d worked years to get the Hermit to give him the treasure, and feared he might lose it. Are you sure Olivier wouldn’t be driven to violence?”
Gabri hesitated. Neither Gamache nor Myrna dared breathe, for fear of chasing away timid reason fluttering around their friend.
“Olivier didn’t do it.” Gabri sighed heavily, exasperated. “Why would he move the body?”
The Chief Inspector stared at Gabri. Words failed him. If there was any way to convince this tormented man, he would. He’d tried. He hated the thought that Gabri would carry this unnecessary burden, the horror of believing his partner falsely imprisoned. Better to accept the wretched truth than struggle, twisting, to make a wish a reality.
Gabri turned his back on the Chief Inspector and walked onto the green, to the very center of the village, and sat on the bench.
“What a magnificent man,” said Gamache, as he and Myrna resumed their walk.
“He is that. He’ll wait forever, you know. For Olivier to come back.”
Gamache said nothing and the two strolled in silence. “I ran into Vincent Gilbert,” he finally said. “He says Marc and Dominique are settling in.”
“Yes. Turns out when he’s not moving bodies around the village Marc’s quite nice.”
“Too bad about Marc the horse.”
“Still, he’s probably happier.”
This surprised Gamache and he turned to look at Myrna. “Dead?”
“Dead? Vincent Gilbert had him sent to LaPorte.”
Gamache snorted and shook his head. The asshole saint indeed.
As they passed the bistro he thought about the canvas bag. The thing that had, more than anything else, condemned Olivier when found hidden behind the fireplace.
Ruth’s door opened and the old poet, wrapped in her worn cloth coat, hobbled out, followed by Rosa. But today the duck was without clothing. Just feathers.
Gamache had grown so used to seeing Rosa in her outfits it seemed almost unnatural that she should be without one now. The two walked across the road to the green where Ruth opened a small paper bag and tossed bread for Rosa, who waddled after the crumbs, flapping her wings. A quacking could be heard overhead, getting closer. Gamache and Myrna turned to the sound. But Ruth’s eyes remained fixed, on Rosa. Overhead, ducks approached in V formation flying south for the winter.
And then, with a cry that sounded almost human Rosa rose up and flew into the air. She circled and for an instant everyone thought she would return. Ruth raised her hand, offering bread crumbs from her palm. Or a wave. Good-bye.
And Rosa was gone.
“Oh, my God,” breathed Myrna.
Ruth stared, her back to them, her face and hand to the sky. Bread crumbs tumbling to the grass.
Myrna took out the crumpled paper from her pocket and gave it to Gamache.
She rose up into the air and the jilted earth let out a sigh.
She rose up past telephone poles and rooftops of houses where the earthbound hid.
She rose up sleeker than the sparrows that swirled around her like a jubilant cyclone
She rose up, past satellites and every cell phone down on earth rang at once.
“Rosa,” whispered Myrna. “Ruth.”
Gamache watched the old poet. He knew what was looming behind the Mountain. What crushed all before it. The thing the Hermit most feared. The Mountain most feared.
Conscience.
Gamache remembered opening the coarse sack, his hand sliding over the smooth wood inside. It was a simple carving. A young man in a chair, listening.
Olivier. He’d turned it over and found three letters etched into the wood. GYY.
He’d decoded them in the cabin just minutes before and had stared at the word.
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