The Bonehunters (The Malazan Book of the Fallen #6)

The Bonehunters (The Malazan Book of the Fallen #6) Page 420

It did not exist except as an ideal to which endless lofty words paid service, a litany offering up the delusion that the absence of overt violence was sufficient in itself, was proof that one was better than the other. There was no dichotomy between war and peace – no true opposition except in their particular expressions of a ubiquitous inequity. Suffering was all-pervasive. Children starved at the feet of wealthy lords no matter how secure and unchallenged their rule.

There was too much compassion within him – he knew that, for he could feel the pain, the helplessness, the invitation to despair, and from that despair came the desire – the need – to disengage, to throw up his hands and simply walk, away, turn his back on all that he saw, all that he knew. If he could do nothing, then, dammit, he would see nothing. What other choice was there?

And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawnout we tell ourselves we hear nothing.

And so this music is a lament, and I am doomed to hear its bittersweet notes for a lifetime.

Show me a god that does not demand mortal suffering.

Show me a god that celebrates diversity, a celebration that embraces even non-believers and is not threatened by them.

Show me a god who understands the meaning of peace. In life, not in death.

Show'Stop,' Gesler said in a grating voice.

Blinking, Fiddler lowered the instrument. 'What?'

'You cannot end with such anger, Fid. Please.'

Anger? I am sorry. He would have spoken that aloud, but suddenly he could not. His gaze lowered, and he found himself studying the littered floor at his feet. Someone, in passing – perhaps Fiddler himself – had inadvertently stepped on a cockroach. Half-crushed, smeared into the warped wood, its legs kicked feebly. He stared at it in fascination.

Dear creature, do you now curse an indifferent god? 'You're right,' he said. 'I can't end it there.' He raised the fiddle again. 'Here's a different song for you, one of the few I've actually learned. From Kartool. It's called "The Paralt's Dance".' He rested the bow on the strings, then began.

Wild, frantic, amusing. Its final notes recounted the triumphant female eating her lover. And even without words, the details of that closing flourish could not be mistaken.

The four men laughed.

Then fell silent once more.

It could have been worse, Bottle reflected as he hurried along the dark alley. Agayla could have reached in to the left instead of to the right, there under his shirt, pulling out not a doll but a live rat – who would probably have bitten her, since that was what it seemed Y'

Ghatan liked to do most. Would their subsequent conversation have taken another track? he wondered. Probably.

The alleys of the Mouse twisted and turned, narrow and choking and unlit, and stumbling over a body in the gloom was not nearly as uncommon as one would like… but not five bodies. Heart pounding, Bottle halted in his tracks. The stench of death engulfed him. Bile and blood.

Five corpses, all clothed in black, hooded, they appeared to have been cut to pieces. Perhaps only moments earlier.

He heard screams erupt from a street nearby, cries filled with terror.

Gods, what's out there? He contemplated releasing Y'Ghatan, then decided against it – he would need the rat's eyes later, he was certain of it, and risking the creature now invited potential disaster. Besides, I'm not far from my destination. I think. I hope.

He picked his way gingerly past the bodies, approached the alley mouth beyond.

Whatever had elicited the shrieks had gone another way, although Bottle saw a few running figures flash past, heading towards the docks. Reaching the street he turned right and set off in the same direction.

Until he came opposite the entrance to a tavern. Saddle-backed stairs, leading down. The prickle of sweat stole over his body. In here. Thank you, Agayla.

Bottle made his way down the steps, pushed through the doorway, and entered Coop's Hanged Man Inn.

The cramped, low-ceilinged den was crowded, yet strangely quiet. Pale faces turned in his direction, hard eyes fixing on him as he paused just inside the threshold, looking round.

Damned veterans. Well, at least you're not all out there, trying to kill marines.

Bottle made his way to the bar. Beneath the folds of his cloak he felt the doll move slightly, a limb twitching – the right arm – and then he saw a figure before him, facing in the other direction. Broad back and shoulders, lifting a tankard with his right hand as he leaned on the counter. The ragged sleeve on that arm slipped down, revealing a skein of scars.