Sword and Citadel (The Book of the New Sun #0)

Sword and Citadel (The Book of the New Sun #0) Page 64

"Carry it where?" Master Palaemon cocked his head like an old raven.

"To the House Absolute. We've been out of touch, or the Autarch has, if you wish to put it so, for over a month. We have to find out what's happening at the front, and perhaps dispatch reinforcements." I thought of Lomer and Nicarete, and the other prisoners in the antechamber. "We have other tasks there too," I said. Master Palaemon stroked his chin. "Before you go, Severian -

Autarch - would you like to tour the cells, for old times' sake? I doubt those fellows out there know of the door that opens to the western stair."

It is the least-used staircase in the tower, and perhaps the oldest. Certainly it is the one least altered from its original condition. The steps are narrow and steep, and wind down around a central column black with corrosion. The door to the room where I, as Thecla, had been subjected to the device called the Revolutionary stood half open, so that though we did not go inside, I nevertheless saw its ancient mechanisms: frightful, yet less hideous to me than the gleaming but far older things in Baldanders's castle. Entering the oubliette meant returning to something I had, from the time I left for Thrax, assumed gone forever. Yet the metal corridors with their long rows of doors were unchanged, and when I peered through the tiny windows that pierced those doors I saw familiar faces, the faces of men and women I had fed and guarded as a journeyman.

"You are pale, Autarch," Master Palaemon said. "I feel your hand tremble." (I was supporting him a little with one hand on his arm.)

"You know that our memories never fade," I said. "For us the Chatelaine Thecla still sits in one of these cells, and the Journeyman Severian in another."

"I had forgotten. Yes, it must be terrible for you. I was going to take you to the Chatelaine's old one, but perhaps you would rather not see it."

I insisted that we visit it; but when we arrived, there was a new client inside, and the door was locked. I had Master Palaemon call the brother on duty to let us in, then stood for a moment looking at the cramped bed and the tiny table. At last I noticed the client, who sat upon the single chair, with wide eyes and an indescribable expression blended of hope and wonder. I asked him if he knew me.

"No, exultant."

"We are no exultant. We are your Autarch. Why are you here?" He rose, then fell to his knees. "I am innocent! Believe me!"

"All right," I said. "We believe you. But we want you to tell us what you were accused of, and how you came to be convicted." Shrilly, he began to pour forth one of the most complex and confused accounts I have ever heard. His sister-in-law had conspired with her mother against him. They said he had struck his wife, that he had neglected his ill wife, that he had stolen certain moneys from her that she had been entrusted with by her father, for purposes about which they disagreed. In explaining all this (and much more) he boasted of his own cleverness while decrying the frauds, tricks, and lies of the others that had sent him to the oubliette. He said that the gold in question had never existed, and also that his mother-in-law had used a part of it to bribe the judge. He said he had not known his wife was ill, and that he had procured the best physician he could afford for her.

When I left him, I went to the next call and heard the client there, and then to the next and the next, until I had visited fourteen. Eleven clients protested their innocence, some better than the first, some even worse; but I found none whose protestations convinced me. Three admitted that they were guilty (though one swore, I think sincerely, I that though he had committed most of the crimes with which he had been charged, he had also been charged with several he had not committed). Two of these promised earnestly to do nothing that would return them to the oubliette if only I would release them; which I did. The third - a woman who had stolen children and forced them to serve as articles of furniture in a room she had set aside for the purpose, in one instance nailing the hands of a little girl to the underside of a small tabletop so that she became in effect its pedestal - told me with apparently equal frankness that she felt sure she would return to what she called her sport because it was the only activity that really interested her. She did not ask to be released, only to have her sentence commuted to simple imprisonment. I felt certain she was mad; yet nothing in her conversation or her clear blue eyes indicated it, and she told me she had been examined prior to her trial and pronounced sane. I touched her forehead with the New Claw, but it was as inert as the old Claw had been when I had attempted to use it to help Jolenta and Baldanders.

I cannot escape the thought that the power manifested in both Claws is drawn from myself, and that it is for this reason that their radiance, said by others to be warm, has always seemed cold to me. This thought is the psychological equivalent of that aching abyss in the sky into which I feared to fall when I slept in the mountains. I reject and fear it because I desire so fervently that it be true; and 1

feel that if there were the least echo of truth in it, I would detect it within myself. I do not.

Furthermore, there are profound objections to it besides this lack of internal resonance, the most important, convincing, and apparently inescapable being that the Claw unquestionably reanimated Dorcas after many decades of death - and did so before I knew I carried it. That argument appears conclusive; and still I am not sure that it is so. Did I in fact know? What is meant by know, in an appropriate sense? I have assumed I was unconscious when Agia slipped the Claw into my sabretache; but I may have been merely dazed, and in any case, many have long believed that unconscious persons are aware of their surroundings and respond internally to speech and music. How else explain the dreams dictated by external sounds?

What portion of the brain is unconscious, after all? Not the whole of it, or the heart would not beat and the lungs no longer breathe. Much of the memory is chemical. All that, in fact, I have from Thecla and the former Autarch is fundamentally so - the drugs serving only to permit the complex compounds of thought to enter my own brain as information. May it not be that certain information derived from external phenomena are chemically impressed on our brains even when the electrical activity on which we depend for conscious thought has temporarily ceased?

Besides, if the energy has its origins in me, why should it have been necessary for me to be aware of the presence of the Claw for them to operate, any more than it would be necessary if they had their origin in the Claw itself? A strong suggestion of another kind might be equally effective, and certainly our careening invasion of the sacred precincts of the Pelerines and the way in which Agia and I emerged unhurt from the accident that killed the animals might have furnished such a suggestion. From the cathedral we had gone to the Botanic Gardens, and there, before we entered the Garden of Endless Sleep, I had seen a bush covered with Claws. At that time I believed the Claw to be a gem, but may not they have suggested it nonetheless? Our minds often play such punning tricks. In the yellow house we had met three persons who believed us supernatural presences.

If the supernatural power is mine (and yet clearly it is not mine), how did I come to have it? I have devised two explanations, both wildly improbable. Dorcas and I talked once of the symbolic significance of real-world things, which by the teachings of the philosophers stand for things higher than themselves, and in a lower order are themselves symbolized. To take an absurdly simple example, suppose an artist in a garret limning a peach. If we put the poor artist in the place of the Increate, we may say that his picture symbolizes the peach, and thus the fruits of the soil, while the glowing curve of the peach itself symbolizes the ripe beauty of womanhood. Were such a woman to enter the artist's garret (an improbability we must entertain for the sake of the explanation), she would doubtless remain unaware that the fullness of her hip and the hardness of her heart found their echoes in a basket on the table by the window, though perhaps the artist might be able to think of nothing else.

But if the Increate is in actual fact in place of the artist, is it not possible that such connections as these, many of which must always be unguessable by human beings, may have profound effects on the structure of the world, just as the artist's obsession may color his picture? If I am he who is to renew the youth of the sun with the White Fountain of which I have been told, may it not be that I have been given, almost unconsciously (if that expression may be used), the attributes of life and light that will belong to the renewed sun?

The other explanation I mentioned is hardly more than a speculation. But if, as Master Malrubius told me, those who will judge me among the stars will take my manhood should I fail their judgment, is it not possible also that they will confirm me in some gift of equal worth should I, as Humanity's representative, conform to their desires? It seems to me that justice demands it. If that is the case, may it not be that their gift transcends time, as they do themselves? The Hierodules I met in Baldanders's castle said they interested themselves in me because I would gain the throne - but would their interest have been so great if I were to be no more than the embattled ruler of some part of this continent, one of many embattled rulers in the long history of Urth?

On the whole, I think the first explanation the most probable; but the second is not wholly unlikely. Either would seem to indicate that the mission I am about to set out on will succeed. I will go with good heart.

And yet there is a third explanation. No human being or near-human being can conceive of such minds as those of Abaia, Erebus, and the rest. Their power surpasses understanding, and I know now that they could crush us in a day if it were not that they count only enslavement, and not annihilation, as victory. The great undine I saw was their creature, and less than their slave: their toy. It is possible that the power of the Claw, the Claw taken from a growing thing so near their sea, comes ultimately from them. They knew my destiny as well as Ossipago, Barbatus, and Famulimus, and they saved me when I was a boy so that I might fulfill it. After I departed from the Citadel they found me again, and thereafter my course was twisted by the Claw. Perhaps they hope to triumph by raising a torturer to the Autarchy, or to that position that is higher than the Autarch's.

Now I think that it is time to record what Master Malrubius explained to me. I cannot vouch for its truth, but I believe it to be true. I know no more than I set down here.

Just as a flower blooms, throws down its seed, dies, and rises from its seed to bloom again, so the universe we know diffuses itself to nullity in the infinitude of space, gathers its fragments (which because of the curvature of that space meet at last where they began) and from that seed blooms again. Each such cycle of flowering and decay marks a divine year.

As the flower that comes is like the flower from which it came, so the universe that comes repeats the one whose ruin was its origin; and this is as true of its finer features as of its grosser ones: The worlds that arise are not unlike the worlds that perished, and are peopled by similar races, though just as the flower evolves from summer to summer, all things advance by some minute step. In a certain divine year (a time truly inconceivable to us, though that cycle of the universes was but one in an endless succession), a race was born that was so like to ours that Master Malrubius did not scruple to call it human. It expanded among the galaxies of its universe even as we are said to have done in the remote past, when Urth was, for a time, the center, or at least the home and symbol, of an empire.

These men encountered many beings on other worlds who had intelligence to some degree, or at least the potential for intelligence, and from them - that they might have comrades in the loneliness between the galaxies and allies among their swarming worlds - they formed beings like themselves.

It was not done swiftly or easily. Uncountable billions suffered and died under their guiding hands, leaving ineradicable memories of pain and blood. When their universe was old, and galaxy so far separated from galaxy that the nearest could not be seen even as faint stars, and the ships were steered thence by ancient records alone, the thing was done. Completed, the work was greater than those who began it could have guessed. What had been made was not a new race like Humanity's, but a race such as Humanity wished its own to be: united, compassionate, just.

I was not told what became of the Humanity of that cycle. Perhaps it survived until the implosion of the universe, then perished with it. Perhaps it evolved beyond our recognition. But the beings Humanity had shaped into what men and women wished to be escaped, opening a passage to Yesod, the universe higher than our own, where they created worlds suited to what they had become. From that vantage point they look both forward and back, and in so looking they have discovered us. Perhaps we are no more than a race like that who shaped them. Perhaps it was we who shaped them

 - or our sons - or our fathers. Malrubius said he did not know, and I believe he told the truth. However it may be, they shape us now as they themselves were shaped; it is at once their repayment and their revenge.

The Hierodules they have found too, and formed more quickly, to serve them in this universe. On their instructions, the Hierodules construct such ships as the one that bore me from the jungle to the sea, so that aquastors like Malrubius and Triskele may serve them also. With these tongs, we are held in the forge. The hammer they wield is their ability to draw their servants back, down the corridors of time, and to send them hurtling forward to the future. (This power is in essence the same as that which permitted them to evade the death of their universe - to enter the corridors of time is to leave the universe.) On Urth at least, their anvil is the necessity of life: our need in this age to fight against an ever-morehostile world with the resources of the depleted continents. Because it is as cruel as the means by which they themselves were shaped, there is a conservation of justice; but when the New Sun appears, it will be a signal that at least the earliest operations of the shaping are complete.

CHAPTER THIRTY-FIVE - FATHER INIRE'S LETTER

The quarters assigned to me were in the most ancient part of the Citadel. The rooms had been empty so long that the old castellan and the steward charged with maintaining them supposed the keys to have been lost, and offered, with many apologies and much reticence, to break the locks for me. I did not permit myself the luxury of watching their faces, but I heard their indrawn breath as I pronounced the simple words that controlled the doors. It was fascinating, that evening, to see how much the fashions of the period in which those chambers were furnished differed from our own. They did without chairs as we know them, having for seats only complex cushions; and their tables lacked drawers and that symmetry we have come to consider essential. By our standards too, there was too much fabric and not enough wood, leather, stone, and bone; I found the effect at once sybaritic and uncomfortable. Yet it was impossible that I should occupy a suite other than that anciently set aside for the autarchs; and impossible too that I should have it refurnished to a degree that would imply criticism of my predecessors. And if the furniture had more to recommend it to the mind than to the body, what a delight it was to discover the treasures those same predecessors had left behind: There were papers relating to matters now utterly forgotten and not always identifiable; mechanical devices ingenious and enigmatic; a microcosm that stirred to life at the warmth of my hands, and whose minute inhabitants seemed to grow larger and more human as I watched them; a laboratory containing the fabled "emerald bench" and many other things, the most interesting of which was a mandragora in spirits.