Station Eleven

Station Eleven Page 58

On the day she sees Arthur again, Pablo calls her on the office line in the afternoon. She’s a few sips into her four p.m. coffee, sketching out a series of panels involving Dr. Eleven’s efforts to thwart the Undersea’s latest plot to sabotage the station reactors and force a return to Earth. She knows as soon as she hears Pablo’s voice that it’s going to be a bad call. He wants to know what time she’ll be home.

“Sometime around eight.”

“What I don’t understand,” Pablo says, “is what you’re doing for these people.”

She winds the phone cord around her finger and looks at the scene she was just working on. Dr. Eleven is confronted by his Undersea nemesis on a subterranean walkway by Station Eleven’s main reactor. A thought bubble: But what insanity is this?

“Well, I put together Leon’s travel itineraries.” There have been a number of bad calls lately, and she’s been trying to view them as opportunities to practice being patient. “I handle his expense reports and send emails for him sometimes. There’s the occasional message. I do the filing.”

“And that takes up your entire day.”

“Not at all. We’ve talked about this, pickle. There’s a lot of downtime, actually.”

“And what do you do in that downtime, Miranda?”

“I work on my project, Pablo. I’m not sure why your tone’s so nasty.” But the trouble is, she doesn’t really care. There was a time when this conversation would have reduced her to tears, but now she swivels in her chair to look out at the lake and thinks about moving trucks. She could call in sick to work, pack up her things, and be gone in a few hours. It is sometimes necessary to break everything.

“… twelve-hour days,” he’s saying. “You’re never here. You’re gone from eight a.m. till nine at night and then you even go in on Saturdays sometimes, and I’m supposed to just … oh, I don’t know, Miranda, what would you say if you were me?”

“Wait,” she says, “I just realized why you called me on the office line.”

“What?”

“You’re verifying that I’m here, aren’t you? That’s why you didn’t call me on my cell.” A shiver of anger, unexpectedly deep. She is paying the entire rent on their apartment, and he’s verifying that she’s actually at her job.

“The hours you work.” He lets this hang in the air till it takes on the weight of accusation.

“Well,” she says—one thing she is very good at is forcing her voice to remain calm when she’s angry—“as I’ve mentioned before, Leon was very clear when he hired me. He wants me at my desk until seven p.m. when he’s traveling, and if he’s here, I’m here. He texts me when he comes in on weekends, and then I have to be here too.”

“Oh, he texts you.”

The problem is that she’s colossally bored with the conversation, and also bored with Pablo, and with the kitchen on Jarvis Street where she knows he’s standing, because he only makes angry phone calls from home—one of the things they have in common is a mutual distaste for sidewalk weepers and cell-phone screamers, for people who conduct their messier personal affairs in public—and the kitchen gets the best reception of anywhere in the apartment.

“Pablo, it’s just a job. We need the money.”

“It’s always money with you, isn’t it?”

“This is what’s paying our rent. You know that, right?”

“Are you saying I’m not pulling my weight, Miranda? Is that what you’re saying?”

It isn’t possible to continue to listen to this, so she sets the receiver gently on the cradle and finds herself wondering why she didn’t notice earlier—say, eight years ago, when they first started dating—that Pablo is mean. His email arrives within minutes. The subject header is WTF. Miranda, it reads, what’s going on here? It seems like you’re being weirdly hostile and kind of passive-aggressive. What gives?

She closes it without responding and stands by the glass wall for a while to look out at the lake. Imagining the water rising until it covers the streets, gondolas moving between the towers of the financial district, Dr. Eleven on a high arched bridge. She’s standing here when her cell phone rings. She doesn’t recognize the number.

“It’s Arthur Leander,” he says when she answers. “Can I buy you another lunch?”

“How about dinner instead?”

“Tonight?”