Octopussy & the Living Daylights (James Bond #14)

Octopussy & the Living Daylights (James Bond #14) Page 12

"Well, er, yes," said Mr. Snowman with rather careful candor. "We're certainly going to go after it. But it'll sell for a huge price. Between you and me, we believe the V and A are going to bid, and probably the Metropolitan. But is it some crook you're after? If so you needn't worry. This is out of their class."

Bond said, "No. We're not looking for a crook." He wondered how far to go with this man. Because people are very careful with the secrets of their own business doesn't mean that they'll be careful with the secrets of yours. Bond picked up a wood and ivory plaque that lay on the table. It said:

It is naught, it is naught, saith the buyer.

But when he is gone his way, he boasteth.

Proverbs XX, 14

Bond was amused. He said so. "You can read the whole history of the bazaar, of the dealer and the customer, behind that quotation," he said. He looked Mr. Snowman straight in the eyes. "I need that sort of nose, that sort of intuition in this case. Will you give me a hand?"

"Certainly. If you'll tell me how I can help." He waved a hand. "If it's secrets you're worried about, please don't worry. Jewelers are used to them. Scotland Yard will probably give my firm a clean bill in that respect. Heaven knows we've had enough to do with them over the years."

"And if I told you that I'm from the Ministry of Defense?"

"Same thing," said Mr. Snowman. "You can naturally rely absolutely on my discretion!"

Bond made up his mind. "All right. Well, all this comes under the Official Secrets Act, of course. We suspect that the underbidder, presumably to you, will be a Soviet Agent. My job is to establish his identity. Can't tell you any more, I'm afraid. And you don't actually need to know any more. All I want is to go with you to Sotheby's tomorrow night and for you to help me spot the man. No medals, I'm afraid, but we'd be extremely grateful."

Mr. Kenneth Snowman's eyes glinted with enthusiasm. "Of course. Delighted to help in any way. But," he looked doubtful, "you know it's not necessarily going to be all that easy. Peter Wilson, the head of Sotheby's, who'll be taking the sale, would be the only person who could tell us for sure—that is, if the bidder wants to stay secret. There are dozens of ways of bidding without making any movement at all. But if the bidder fixes his method, his code so to speak, with Peter Wilson before the sale, Peter wouldn't think of letting anyone in on the code. It would give the bidder's game away to reveal his limit. And that's a close secret, as you can imagine, in the rooms. And a thousand times not if you come with me. I shall probably be setting the pace. I already know how far I'm going to go—for a client by the way—but it would make my job vastly easier if I could tell how far the underbidder's going to go. As it is, what you've told me has been a great help. I shall warn my man to put his sights even higher. If this chap of yours has got a strong nerve, he may push me very hard indeed. And there will be others in the field of course. It sounds as if this is going to be quite a night. They're putting it on television and asking all the millionaires and dukes and duchesses for the sort of gala performance Sotheby's do rather well. Wonderful publicity of course. By jove, if they knew there was cloak-and-dagger stuff mixed up with the sale, there'd be a riot! Now then, is there anything else to go into? Just spot this man and that's all?"

"That's all. How much do you think this thing will go for?"

Mr. Snowman tapped his teeth with a gold pencil. "Well now, you see that's where I have to keep quiet. I know how high I'm going to go, but that's my client's secret." He paused and looked thoughtful. "Let's say that if it goes for less than £100,000 we'll be surprised."

"I see," said Bond. "Now then, how do I get into the sale?"

Mr. Snowman produced an elegant alligator-skin notecase and extracted two engraved bits of pasteboard. He handed one over. "That's my wife's. I'll get her one somewhere else in the rooms. B.5—well placed in the center front. I'm B.6."

Bond took the ticket. It said:

Sotheby & Co.

Sale of

A Casket of Magnificent Jewels

A Unique Object of Vertu by Carl Fabergé

The Property of a Lady

Admit one to the Main Sale Room

Tuesday, 20 June, at 9.30 pm precisely

ENTRANCE IN ST. GEORGE STREET

"It's not the old Georgian entrance in Bond Street," commented Mr. Snowman. "They have an awning and red carpet out from their back door now that Bond Street's one way. Now," he got up from his chair, "would you care to see some Fabergé? We've got some pieces here my father bought from the Kremlin around 1927. It'll give you some idea what all the fuss is about, though of course the Emerald Sphere's incomparably finer than anything I can show you by Fabergé apart from the Imperial Easter Eggs."

Later, dazzled by the diamonds, the multicolored gold, the silken sheen of translucent enamels, James Bond walked up and out of the Aladdin's Cave under Regent Street and went off to spend the rest of the day in drab offices around Whitehall planning drearily minute arrangements for the identification and photographing of a man in a crowded room who did not yet possess a face or an identity but who was certainly the top Soviet spy in London.

Through the next day, Bond's excitement mounted. He found an excuse to go into the Communications Section and wander into the little room where Miss Maria Freudenstein and two assistants were working the cipher machines that handled the Purple Cipher dispatches. He picked up the en clair file—he had freedom of access to most material at headquarters—and ran his eye down the carefully edited paragraphs that, in half an hour to so, would be spiked, unread, by some junior C.I.A. clerk in Washington and, in Moscow, be handed, with reverence, to a top-ranking officer of the KGB. He joked with the two junior girls, but Maria Freudenstein only looked up from her machine to give him a polite smile and Bond's skin crawled minutely at this proximity to treachery and at the black and deadly secret locked up beneath the frilly white blouse. She was an unattractive girl with a pale, rather pimply skin, black hair and a vaguely unwashed appearance. Such a girl would be unloved, make few friends, have chips on her shoulder—more particularly in view of her illegitimacy—and a grouse against society. Perhaps her only pleasure in life was the triumphant secret she harbored La that flattish bosom—the knowledge that she was cleverer than all those around her, that she was, every day, hitting back against the world—the world that despised, or just ignored her, because of her plainness—with all her might. One day they'd be sorry! It was a common neurotic pattern—the revenge of the ugly duckling on society.

Bond wandered off down the corridor to his own office. By tonight that girl would have made a fortune, been paid her thirty pieces of silver a thousandfold. Perhaps the money would change her character, bring her happiness. She would be able to afford the best beauty specialists, the best clothes, a pretty flat. But M. had said he was now going to hot up the Purple Cipher Operation, try a more dangerous level of deception. This would be dicey work. One false step, one incautious lie, an ascertainable falsehood in a message, and the KGB would smell a rat. Once more, and they would know they were being hoaxed and probably had been ignominiously hoaxed for three years. Such a shameful revelation would bring quick revenge. It would be assumed that Maria Freudenstein had been acting as a double agent, working for the British as well as the Russians. She would inevitably and quickly be liquidated—perhaps with the cyanide pistol Bond had been reading about only the day before.

James Bond, looking out of the window across the trees in Regent's Park, shrugged. Thank God it was none of his business. The girl's fate wasn't in his hands. She was caught in the grimy machine of espionage and she would be lucky if she lived to spend a tenth of the fortune she was going to gain in a few hours in the auction rooms.

There was a line of cars and taxis blocking George Street behind Sotheby's. Bond paid off his taxi and joined the crowd filtering under the awning and up the steps. He was handed a catalog by the uniformed Commissionaire who inspected his ticket, and went up the broad stairs with the fashionable, excited crowd and along a gallery and into the main auction room that was already thronged. He found his seat next to Mr. Snowman, who was writing figures on a pad on his knee, and looked round him.

The lofty room was perhaps as large as a tennis court. It had the took and the smell of age and the two large chandeliers, to fit in with the period, blazed warmly in contrast to the strip lighting along the vaulted ceiling whose glass roof was partly obscured by a blind, still half-drawn against the sun that would have been blazing down on the afternoon's sale. Miscellaneous pictures and tapestries hung on the olive-green walls and batteries of television and other cameras (amongst them the M.I.5 cameraman with a press pass from The Sunday Times) were clustered with their handlers on a platform built out from the middle of a giant tapestried hunting scene. There were perhaps a hundred dealers and spectators sitting attentively on small gilt chairs. All eyes were focused on the slim, good-looking auctioneer talking quietly from the raised wooden pulpit. He was dressed in an immaculate dinner jacket with a red carnation in the buttonhole. He spoke unemphatically and without gestures.

"Fifteen thousand pounds. And sixteen," a pause. A glance at someone in the front row. "Against you, sir." The flick of a catalog being raised. "Seventeen thousand pounds I am bid. Eighteen. Nineteen. I am bid twenty thousand pounds." And so the quiet voice went, calmly, unhurriedly on while down among the audience the equally impassive bidders signaled their responses to the litany.

"What is he selling?" asked Bond opening his catalog.

"Lot 40," said Mr. Snowman. "That diamond rivière the porter's holding on the black velvet tray. It'll probably go for about twenty-five. An Italian is bidding against a couple of Frenchmen. Otherwise they'd have got it for twenty. I only went to fifteen. Liked to have got it. Wonderful stones. But there it is."

Sure enough, the price stuck at twenty-five thousand and the hammer, held by its head and not by its handle, came down with soft authority. "Yours, sir," said Mr. Peter Wilson and a sales clerk hurried down the aisle to confirm the identity of the bidder.

"I'm disappointed," said Bond.

Mr. Snowman looked up from his catalog. "Why is that?"

"I've never been to an auction before and I always thought the auctioneer banged his gavel three times and said going, going, gone, so as to give the bidders a last chance."

Mr. Snowman laughed. "You might still find that operating in the Shires or in Ireland, but it hasn't been the fashion at London sale rooms since I've been attending them."

"Pity. It adds to the drama."

"You'll get plenty of that in a minute. This is the last lot before the curtain goes up."

One of the porters had reverently uncoiled a glittering mass of rubies and diamonds on his black velvet tray. Bond looked at the catalog. It said "Lot 41" which the luscious prose described as:

A PAIR OF FINE AND IMPORTANT RUBY AND DIAMOND BRACELETS, the front of each in the form of an elliptical cluster composed of one larger and two smaller rubies within a border of cushioned-shaped diamonds, the sides and back formed of simpler clusters alternating with diamond openwork scroll motifs springing from single-stone ruby centers millegriffe-set in gold, running between chains of rubies and diamonds linked alternately, the clasp also in the form of an elliptical cluster.