Moscow but Dreaming

Moscow but Dreaming Page 31

“That’s the tip of the iron,” I said. “And those little holes in it. It’s just a coincidence.”

“So? The symbol’s still holy, no matter how it was made.” Petro tilted his head to the shoulder, as if listening. “What’s Kether?”

“No clue,” I said. “Ask Ipatov.”

“I can’t. I only remember for him. And he forgot what Kether is.”

Petro made tea and we drank; the cockroaches, hearing sugar, crowded in the corners, their antennae undulating eagerly. I contemplated the electric irons and their built-in alchemic and magical powers. I wondered how many more souls hung about, trapped by the thugs’ unwitting alchemy. Judging from the newspapers and the latest mortality reports, lots. That gave me an idea.

The problem with Ipatov’s memories was that they were much like my own. His adolescence was similar to mine, and remembering it just didn’t satisfy my longing for worthwhile experiences. Ipatov’s shortcoming was shared by many of our contemporaries—we all remembered the same signifiers of childhood: summer camps and songs praising youthful and heroic drummers, we all treasured a rare trip south, replete with a pebbled beach and a mind-boggling abundance of peaches. Standardized, trivial lives, their monotony only broken by an occasional memory of a grandfather—those were rare. We all viewed the change of regime with joyful trepidation; some were later disappointed, some were not.

I learned all that as I started visiting the scenes of body removals, sometimes tipped off by Grisha, who took as much pleasure in the soul consumption as I did, and sometimes by the police, who would tell you anything if you offered to supplement their dwindling state wages. Like where the dead bodies were, and how to call a specific ambulance if one wanted. They also didn’t mind letting Grisha dawdle, and they didn’t mind us drinking great golden jugs of beer after we let them sit next to the Kabbalic symbols burned into dead businessmen’s flesh. Beer never failed to lure the dead souls.

Far as memories went, it was hit and miss. Most blended inauspiciously with my own, grey and generic, difficult to separate from each other. But there were rare splashes I lived for—the memories of a tropical island and feathery palms, the glitter of New York on a rare pre-perestroika trip abroad, an exotic hobby of orchid collecting, a fresh memory of love so consuming that even torture could not distract from the thoughts of the beloved.

Grisha and I compared memories over the phone. We prided ourselves in our acquisitions; we both grew very fond of a young Chechen who enjoyed flowers and Persian rugs and had an abiding fascination with high-breasted women. We snickered over a paunchy, middle-aged guy who believed himself a reincarnation of Gautama Buddha, the belief especially ironic considering that he had fallen in the shootout between two organizations, which quarreled over the protection money from three stores by Borovitskaya. After he was shot and unconscious, his enemies captured him and meted out their slow electric revenge.

“Sad,” Grisha observed. “He could’ve went to Valhalla had he been slain in battle.”

It’s the tidbits like that that made me lust after Grisha’s soul. But according to the mortality reports, paramedics tended to die of alcoholism often co-morbid with traffic accidents, and not of the homegrown Kabbala of the bandits.

One of our later finds, a neckless thug with the requisite burgundy jacket, brought Ipatov to the forefront of my mind. He seemed much like the rest, with a piquant difference—his father was a mid-caliber apparatchick back in the days, as Grisha, who received the entirety of his youth, told me. I got the good part: his adult life. He was the one who killed Ipatov.

He remembered Ipatov as a small man who would not pay what he owed—a peculiarity that filled the thug with perplexed bitterness. Through his memory, I saw Ipatov’s face as it was in his last moments—his white spasming lips and the shirt torn to expose his shoulders and chest. “Just take me from here,” he pleaded in a hoarse voice thick with a suppressed scream. “Just don’t let Lilya see me like this.”

The thug flicked away the butt he smoked down to the filter, and burned his iron magic into poor Ipatov, workmanlike as always. He wondered vaguely whether Lilya was Ipatov’s wife, and thought that he too used to date a girl named Lilya when he was a vocation school student.

The thug had trained to be a car mechanic, but then things changed; he fell into being a thug like many others—ex-cops, Afghan vets, who had no other employment options. I marveled at his conviction that what he did was justice: people who owed money should pay it back, and the thug was there to enforce the law in the law-enforcement vacuum. Ipatov’s agony was thug’s justice, and I enjoyed the juxtaposition of the two memories, enclosing them like pearls with the soft generic mantle of my own.

Our collecting days came to an end when they stopped selling beer by the liter. The cans just didn’t have the same appeal to the souls, and who could blame them? Could a fat man wiping his balding, apoplectic head with a handkerchief and gracing cans of Danish beer compare to the thick amber and sensual droplets of condensed moisture on the cold glass? No, my friends, he could not. The souls remained behind, fearful, trapped behind the charred alchemy of the electric irons, and Grisha and I had to content ourselves with what we had.

Now, even the electric irons are going out of fashion, Grisha tells me. We still see each other and reminisce; he often tells me about Ipatov’s childhood, of how he once threw up on the bus during the field trip and all the other kids made fun of him for weeks. I tell him of Ipatov’s crush on the Komsomol secretary, and of his loathing of thermodynamics. Of course, we have other, much more interesting lives and memories, but Ipatov gets precedence. He was our first, and that ought to count for something.

A PLAY FOR A BOY AND SOCK PUPPETS

ACT I

SCENE I

(Sock drawer. In the drawer, there is a SOCK PUPPET—a grey cotton sock with red and blue stripes and black button eyes. The SOCK PUPPET speaks in a soft halting voice.)

I stare at the ceiling from my drawer, feeling empty and happy. If I squint, the crystals of the popcorn relief above me catch moonlight and sparkle, transformed into tiny stars right before my eyes. I have hours until the morning comes and steals my solitude.

I work with autistic children. They are a difficult bunch, rocking back and forth, spitting, flapping their hands, screaming silently, screaming aloud, banging their heads on the desks, going rigid, going limp, biting. One of them bit me, right above my left button eye, and I needed stitches. Nine of them, in bright red woolen yarn. I’m happy They did not remove my eye and make me a pirate, but the scar hurts, especially before rain.

The morning comes, and brings the rain and shutting of the doors, car honking outside, hurried footsteps, and an infernal whine of the food processor. I count days, hoping despite knowledge that it might be Saturday and I won’t have to go. The illusion is shattered when They walk in, pick me up, and shove me in a duffel bag with the others.

The others: there is the clown, the man, the woman, the naïve child, the dog, and the cat. I’m the autistic sock puppet, and to stay in character I do not talk to the others, block out their chattering with swaying in rhythm with the bag and muttering “November” over and over. I think of how strange it is, to have your personality just assigned to you. I think that I would’ve liked to have some say in the matter.

SCENE II

(The interior of a clinical building. It is filled with people, mostly parents and children entering. The BOY is hidden among the others, but announces himself by periodic loud screeching. The SOCK PUPPET narrates.)

We arrive at Behavioral Therapy. The children are arriving too—they are brought over in cars and SUVs, and file in, some voluntarily, most not. Their parents or guardians drag them by their hands, as the children hiss and fight. Many are wearing little helmets—so bright, in red and yellow and blue, as if the colors can make it better. I want to go home.

Instead, I feel Them enter me, fill me, put words in my mouth. I play an autistic child named Elija, and the others show me how to do things. The children watch, some puzzled, some indifferent. I teach them skills. I teach them empathy. I pretend to eat Goldfish crackers that They give me, and some of the children perk up. The children like crackers, apparently.

After the show is over, the children have their own work to do, and it is my turn to watch. I watch them sort buttons. The teachers say that it is a useful, real-life skill, and that they can use it for future employment. The parents smile and nod, no doubt imagining their offspring sorting through rows and rows of buttons for money, for the rest of their lives. Parents leave, still smiling. They’ll be back later.

One of the children starts screaming, aaaaaaaaaaaaaa, and does not stop even when the teacher holds him down so he cannot move. His hands flail, and another teacher grabs his wrists and presses them against the desktop. Too hard, I think. She is pressing too hard.

The kid is subdued, and the rest carry on with their sorting. Whoever is done first gets two Goldfish crackers. The rest get one. The little fake fish smile eerily.

The child who threw a tantrum earlier does not sort. “Darren, you won’t get a cracker if you don’t sort,” one of the teachers says. The kid looks back from under his helmet striped like a watermelon, and crosses his arms on his chest. He just wants to be left alone, and for once I know exactly how someone else feels. He does not get a cracker. They call him “recalcitrant.”