Devil Said Bang (Sandman Slim #4)

Devil Said Bang (Sandman Slim #4) Page 3

The Glimmer Twins are crouched on the street, pushing the eggs into neat piles. I wrap my arm around Hobnail’s head, pull it back, and drag the blade across his throat. Black Hellion blood oozes down over my arm like leaking engine oil. His friend is concentrating so hard on stacking eggs that he doesn’t see the blade until the last minute. I swing and his head pops off and rolls away, coming to rest against my helmet.

I go over and look at it like maybe I’m going to have the head stuffed and mounted like a big-mouth bass. I’m waiting for a sound. And there it is. The tiniest tick as a boot comes down on a pebble behind me. I spin and toss the head like a scaly bowling ball. Hellion assassination teams usually work in threes. Seeing as how the first two had the combined IQ of waffle batter, whoever is left has to be the squad leader.

He’s taller than the other two, with the same not-bright lizard look you see in a lot of the legion’s grunts. His SWAT body armor is heavier than the others’, so the head just knocks him off balance for a second. He has a Glock strapped to his hip, but he’s making flashy fighting moves in the air with a couple of nasty-looking serrated long swords. He could go for the gun, but he wants to make himself a name by slicing up Lucifer old school. Fucking devils and their fucking rituals.

I take a step back like I’m dazzled by his video-game moves. I fought in the arena down here for years. Swords hurt, but after you get cut a few hundred times, they’re about as scary as road rash. Meaning they’re something to avoid if you can but they’re nothing to lose sleep over. Still, they hurt and I’m already hurt. And I lost my snack.

He takes the bait and charges. I step forward and catch his wrist with my forearm, deflecting the blade as it comes down on my head. Now that I’m in striking range, the textbook step two of an attack like this is simple: while your opponent is busy blocking your downward attack, you step in with a forward thrust of your second blade, skewering him like a cocktail wiener. The only problem with it is that every sentient being in the universe knows it and is ready for it. Instead of attacking, I let him plant a powerful shot in my solar plexus. His blade kicks sparks when it hits the armor and snaps in two. It startles him long enough for me to move a couple of steps and plant a foot behind my helmet on the ground.

When he comes back at me, I kick, sending the helmet into his face like a cannonball. I hear bones crunch and he spins around before landing on his face. I stand over him, kick the sword out of his hand, and shove his pistol in my pocket. I grab him by the lapels, spin and slam him headfirst into a pile of rubble. While he’s busy trying to breathe through a crushed face, I rifle his dead friends’ pockets. Empty. They don’t even have dog tags, so I can’t tell what part of the legion they’re from.

Their boots and body armor are the heavy kind issued to frontline infantry who are basically cannon fodder. But since the war with Heaven is over, clowns like this aren’t supposed to have time on their hands. Avoiding this kind of fucking mess is why I’m going slow with the rebuilding. Why aren’t these pricks with the rest of the grunts, clearing rubble or rebuilding roads? Did they think if they killed me, one of them would be the new Lucifer? Maybe they were going to share the title—Moe, Larry, and Curly, the Three Infernal Stooges. But not one of this bunch had the imagination or balls to try something like that on their own. Someone put them up to it. The one I clocked with the helmet is coming around, so I go back to him.

I pick up the unbroken long sword and press it against his throat.

“You awake, sunshine?”

He grunts. Shakes his head, trying to clear it.

“Who sent you?”

“No one. I don’t need permission to slaughter mortals.”

I lean forward, using my weight to press the tip of the sword into him until he bleeds.

“This mortal signs your paychecks, ugly. Guess who’s not getting a Christmas bonus?”

He grimaces and spits.

“A mortal will never be the true Lucifer. Mortals are spirits, good for nothing but torture and chores you could teach an animal. I curse you and the mortal Mason Faim. At least he promised us Heaven. What have you given us?”

“I haven’t cut off your arms and legs and made you into a throw pillow. How’s that?”

He tenses. Even with the sword at his throat he wants to lunge at me. This guy is the real deal. A true believer. His type built Auschwitz and had lynching parties back home. Who knows what games he and his friends are playing with souls down here?

I take the sword away from his throat and smack his mangled face with the broad side. He groans and doubles over. Lucky bastard. I’d like to be lying down groaning too. My bruised ribs hurt. I toss both of his swords into the nearby sinkhole.

“You still haven’t answered my question. Who sent you here?”

He catches his breath and says, “We came on our own to kill the false Lord of Perdition.”

I grab his head and press it back into the rubble. I’ve always been good at telling when people are lying, but Lucifer can see things I can’t and the armor gives me bits and pieces of his powers. It’s mostly sideshow-level tricks so far but I can tell if someone is wearing a glamour to conceal themselves or if they’ve been hexed. I look all the way to the back of the assassin’s eyes. There’s a fluttering inside, like a microscopic strobe light. That’s it. He’s hexed. Someone sent him and his friends out hunting for me and erased their memories so the fuckwits would think it was their idea. I let go of him and sit above him on the rubble.

“What’s your name?”

He looks at me hard. He really hates being questioned by a mortal.

“Ukobach.”

I could take Ukobach back to the palace, hand him over to the witches, and let them take his mind apart. They might be able to find something useful inside, but I’m not sure about this guy. Whoever picked these three chose them because they didn’t have an overabundance of brain cells. With an intelligent Hellion or human, even after a memory wipe there’s usually some residual impressions left. Sometimes you can find it if you dig deep enough and aren’t worried about killing them or leaving them a vegetable. But with the power of the hex I saw in Ukobach’s eyes, there isn’t going to be anything useful inside him. I can’t throw him in the asylum or jail. I’m Lucifer, after all. Whoever sent him needs a statement.

“Okay, Ukobach, here’s where things stand. You ambushed me and you blew it. Your friends are dead and I don’t think you’re much use for information. Plus, your goddamn sword ripped my jacket.”

He stares at me.

“I’ll make it simple. I can kill you now or I can let you live, but it’s going to hurt. You choose.”

Ukobach shifts his weight. He wants to take one last kamikaze shot at me. I finger the rip in my jacket sleeve. It’s not too bad. I can probably get it fixed. I’m kind of hard on clothes. It’s all the stabbing and shooting.

“I’d kill you and every mortal in the universe if I could,” he rasps. “When your souls reached Hell, I’d spend eternity weaving your guts into tapestries of glorious agony and hang them from every wall and parapet in Pandemonium.”

“If wishes were horses we’d all have shit on our boots. Choose, Chuck. A quiet death or a messy life.”

“I choose life. Any chance to return and kill you for murdering my comrades is worth whatever feeble punishment a mortal can muster.”

I nod.

“I thought so. If I were you, I might have gone the other way.”

He kicks low, trying to sweep my ankle. I take his Glock from my pocket and shoot him in the knee. He howls and rolls around, holding his leg. It gives him something to do while I get to work.

I cut six long strips of material from Hobnail’s overalls. I use four around his and his dead friends’ wrists. Then I get the Harley on its wheels and roll it back so I can tie the dead men to the rear shocks. I take the last two strips and tie Ukobach too. He kicks at me and swings his fists as I haul him to the bike, but when he moves, it hurts him more than it does me. I loop my arm through the front of the helmet so I can hold it while I ride. There’s no sense in hiding who I am now. Before I get on the bike, I look down at Ukobach.

“This isn’t the kind of thing I normally do, you understand. Back home I’m a bad person but I’m not this kind of bad. Before he left, Samael told me I was going to have to be ruthless to survive, and he was right. People have to understand that if you dance with the Devil you better not step on his toes.”

Ukobach looks up at me. I don’t know if it’s pain or fear or general boneheadedness but he has no idea what I’m saying. I get on the bike and start the engine.

“And away we go.”

The bike creeps forward like it wants to tip over in quicksand. Even a Hellion motorcycle isn’t geared to drag three full-grown bodies behind it. I give the bike some throttle. It straightens and moves forward. Slowly at first, but it picks up speed as I twist the throttle. When it feels stable, I kick the bike hard and we shoot down Santa Monica Boulevard to the palace. I don’t turn around. I don’t want to see what it looks like behind me.

The closer we get to Beverly Hills, the more Hellions there are on the street. They stare and point as I cruise by. I’m tempted to stop and make a joke about how this is how I always tenderize meat, but I keep rolling without meeting any of their eyes. I don’t have to. Seeing their ruler covered in blood and dirt, hauling a few hundred pounds of bleeding bologna behind him, is all they need. The story will be all over town in an hour. By tomorrow there will be rumors that it wasn’t three. It’ll be a dozen men. Fifty. I killed them with a bitch slap and dragged them with my pinkie.

The guards around the palace see me coming and step out of the way like the Red Sea parting for Charlton Heston. I stop the bike by the palace lawn, heel down the kickstand, and get off. A hundred Hellion soldiers watch me in dead silence.

I say, “This is what happens to assassins.”

Soldiers crane their necks or climb onto jeeps and Unimogs for a better look at what I’ve hauled in.

An officer walks over. I don’t know his name and I don’t ask. He looks scared.

“I killed two where they jumped me. One was alive when I started back. Gibbet all three. If the live one is still alive after two days, let him go. Alive and skinless, he’ll still be an object lesson for others.”

“Yes, my lord,” says the officer.

I start into the palace but turn after a few steps. I can’t tell the condition of the bodies from here. There isn’t much of a blood trail behind the bike. That’s probably not a good sign for Ukobach. The guards stare at me.

“One of you take my bike into the garage and have it cleaned and polished.” Not that I’m ever going to get to ride it again now that everyone knows what it looks like.

I head inside wondering what Candy would think about what I just did. I’m pretty sure she’d understand. She might even approve. She won’t have to, though, because this goes on the long list of things I’m never going to tell her.

In this funny Convergence Hell, Lucifer’s palace is the penthouse of the Beverly Wilshire Hotel. I’m not saying my digs are nice, but I am saying that my rooms make Versailles look like an outhouse.

Palace security guards ring the inside of the lobby. I give them a nod while tracking dirt, road grime, and blood across the carpets. I head straight for my private elevator. Slap my hand over a brass plate on the wall and the elevator doors roll open. Inside I touch another plate and whisper a Hellion hoodoo code. The car starts up, the pulley and wires humming overhead, gently rocking the compartment. It feels good. A Magic Fingers motel massage loosening the tension knots in my shoulders. I move my arms and legs. Rotate my head. The palms of my hands are scraped raw from the fall off the bike, but there’s no real damage to anything but my damned jacket.

The car stops at the penthouse. I touch the brass plate again and step out onto the cool polished marble floor. The penthouse is a sight. Like Architectural Digest climbed to the top of the hotel roof and shit out a Hollywood movie mogul’s château. Windows everywhere. Expensive handmade furniture. Pricey art. And enough bedrooms and bathrooms for all the cowgirls in Montana to stop by for a pillow fight.

I kick off my boots by the elevator. Fuck the lobby carpet. Wash it. Burn it. I don’t care. But I don’t want blood all over my apartment.

My apartment.

It still feels funny to say, but I have to admit that after the three months the place is starting to feel like home. I used to run a video store in L.A. If I could move the inventory and a wall-size TV in here, I might go totally Howard Hughes and never leave. If I got Candy a day pass, I could definitely get used to the Hellion high life. Up here, surrounded by tinted glass and silk-covered furniture, I’m Sinatra with horns and Pandemonium is my boneyard Vegas.

I go to the bedroom and glance at the peepers I’ve scattered around the apartment. None are twitching and nothing looks out of place. I can relax. The truth is, I’m less worried about getting into another fight than I am about snoops. I need one place in Hell where I don’t have to look over my shoulder 24/7.

In the bedroom I strip off my clothes, dropping them in a heap at the foot of the bed. The ripped jacket I ball up and throw into the closet. I could get it fixed but I’m goddamn Lucifer. I’ll tell the tailors to run me off a new one.

I lock the bedroom door and run my hand over the top of the lintel. The protective runes I carved are still there. I get under a hot shower and stay there for a long time.

I might have gotten used to the apartment but I’ll never get used to showering in Lucifer’s armor. I never take the stuff off. The moment it’s gone, I’m vulnerable to any kind of attack. Knife, hoodoo, or a squirrel with a zip gun. I know I look schizo soaping down in this Versace tuna can but I don’t have to look at me.