A Fatal Grace (Chief Inspector Armand Gamache #2)

A Fatal Grace (Chief Inspector Armand Gamache #2) Page 6

Three Pines had what she craved.

It had croissants and café au lait. It had steak frites and the New York Times. It had a bakery, a bistro, a B. & B., a general store. It had peace and stillness and laughter. It had great joy and great sadness and the ability to accept both and be content. It had companionship and kindness.

And it had an empty store with a loft above. Waiting. For her.

Myrna never left.

In just over an hour Myrna had gone from a world of complaint to a world of contentment. That had been six years ago. Now she dispensed new and used books and well-worn advice to her friends.

‘For Christ’s sake, shit or get off the pot,’ had been her advice to Clara. ‘It’s been months since Jane died. You helped solve her murder. You know for sure Jane would be annoyed she gave you all her money and you’re not even enjoying it. Should have given it to me.’ Myrna had shaken her head in mock bewilderment. ‘I’d have known what to do with it. Boom, down to Jamaica, a nice Rasta man, a good book—’

‘Wait a minute. You have a Rasta man and you’re reading a book?’

‘Oh, yes. Each has a purpose. For instance, a Rasta man is great when he’s hard, but not a book.’

Clara had laughed. They shared a disdain for hard books. Not the content, but the cover. Hardcovers were simply too hard to hold, especially in bed.

‘Unlike a Rasta man,’ said Myrna.

So Myrna had convinced her friend to accept Jane’s death and spend the money. Which Clara planned to do this day. Finally the back seat of the car would be filled with heavy paper bags in rich colors, with rope handles and embossed names, like Holt Renfrew and Ogilvy. Not a single blinding yellow plastic bag from the Dollar-rama. Though Clara secretly adored the dollar store.

Back home Peter stared out the window, willing himself to get up and do something constructive. Go into the studio, work on his painting. Just then he noticed the frost had been shaved off one of the panes. In the shape of a heart. He smiled and put his eye to it, seeing Three Pines going about its gentle business. Then he looked up, to the rambling old house on the hill. The old Hadley house. And even as he looked the frost began to grow, filling in the heart with ice.

THREE

‘Who did these?’ Saul asked CC, holding up the artist’s portfolio.

‘What?’

‘This here.’ He stood naked in their hotel room. ‘I found it in the garbage. Whose is it?’

‘Mine.’

‘You did these?’ He was staggered. For an instant he wondered whether he’d misjudged her. These were clearly the works of a gifted artist.

‘Of course not. Some pathetic little person from the village gave them to me to show around to my gallery friends. Trying to suck up, it was the funniest thing. “Oh please CC, I know how well connected you are.” “Oh CC would you mind very much showing my work to some of your contacts?” Very annoying. Imagine asking me for a favor? Even had the gall to ask me to show it to Denis Fortin specifically.’

‘What did you say?’ His heart sank. He knew the answer, of course.

‘Said I’d be delighted. You can put them back where you found them.’

Saul hesitated, then closed the portfolio and put it back in the garbage, hating himself for helping to destroy such a luminous portfolio, and hating himself even more for wanting to destroy it.

‘Don’t you have something on this afternoon?’ he asked.

She straightened the glass and the lamp on the bedside table, moving each a millimeter until they were where they should be.

‘Nothing important,’ she said, wiping some great carbuncle of dust off the table. Really, at the Ritz. She’d have to speak to the manager. She looked at Saul, standing by the window.

‘God, you’ve let yourself go.’

He’d obviously had a good body once, she thought. But now everything was flaccid. CC had been with fat men. She’d been with buff men. And in her opinion either extreme was all right. It was the transition that was disgusting.

Saul revolted her and she couldn’t quite remember why she’d thought this was a good idea. Then she looked down at the glossy, white cover of her book, and remembered.

The picture. Saul was a wonderful photographer. There, above the title, Be Calm, was her face. Her hair so blonde it was nearly white, her lips red and full, her eyes a startling, intelligent blue. And her face so white it almost disappeared into the background, leaving the impression of eyes and mouth and ears floating on the cover.

CC adored it.

After this Christmas she’d get rid of Saul. Once he’d finished the last assignment. She noticed he must have bumped into the chair at the desk when he was looking at the portfolio. The chair was now out of alignment. She could feel a tension blossom in her chest. Damn him for deliberately annoying her like that, and damn that portfolio. CC leaped out of bed and straightened the screaming chair, taking the opportunity to also move the telephone parallel to the edge of the desk.